Schlacht bei Saint-Quentin

Kaart van de Slag bij Sint-Quentin (1557). Vertaling van San Quintin.png.

Siege of Saint Quentin

Fresque de la salle des batailles du palais de l'Escurial représentant la prise de Saint-Quentin par les Espagnols en 1557

Mapa de la Batalla de San Quintín

quadro raffigurante la battaglia di san quintino

The Siege of San Quentin, copy of a painting by Luca Giordano

Il Duca di Savoia Emanuele Filiberto vince i francesi nei campi di S. Quintino

Battle of San Quintín, copy of Luca Giordano

Esbós per a les pintures murals del fris de l’escala de l’Escorial, de format apaïsat amb soldats a cavall lluitant a primer pla i al fons més soldats, ferits, morts i molt de fum

Esbós per a les pintures murals del fris de l’escala de l’Escorial, de format apaïsat amb soldats a cavall lluitant a primer pla i al fons més soldats, ferits, morts i molt de fum

Esbós per a les pintures murals del fris de l’escala de l’Escorial, de format apaïsat amb soldats a cavall lluitant a primer pla i al fons més soldats, ferits, morts i molt de fum

Esbós per a les pintures murals del fris de l’escala de l’Escorial, de format apaïsat amb soldats a cavall lluitant a primer pla i al fons més soldats, ferits, morts i molt de fum

Monument commémoratif du lieu de la Bataille de Saint-Quentin situé sur la D1 près de Montescourt-Lizerolles.

gravure sur bois publiée dans la Cosmographie de Sebastian Munster, édition de 1598.

Pintura de la serie sobre la batalla de San Quintín en 1692 por Luca Giordano

Surrender of the French army at the Battle of San Quentin, copy of Luca Giordano

map of situation of the Battle of San Quintin

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. Altogether, about 40 editions of the Cosmographia appeared between 1544 and 1628; Münster was a major influence on his subject for over 200 years. Münster acquired the material for his book in three ways. He used all available literary sources. He tried to obtain original manuscript material for description of the countryside and of villages and towns. Finally, he obtained further material on his travels (primarily in south-west Germany, Switzerland, and Alsace). Cosmographia not only contained the latest maps and views of many well-known cities, but also included an encyclopaedic amount of detail about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time. Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors.

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. Altogether, about 40 editions of the Cosmographia appeared between 1544 and 1628; Münster was a major influence on his subject for over 200 years. Münster acquired the material for his book in three ways. He used all available literary sources. He tried to obtain original manuscript material for description of the countryside and of villages and towns. Finally, he obtained further material on his travels (primarily in south-west Germany, Switzerland, and Alsace). Cosmographia not only contained the latest maps and views of many well-known cities, but also included an encyclopaedic amount of detail about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time. Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors.

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. Altogether, about 40 editions of the Cosmographia appeared between 1544 and 1628; Münster was a major influence on his subject for over 200 years. Münster acquired the material for his book in three ways. He used all available literary sources. He tried to obtain original manuscript material for description of the countryside and of villages and towns. Finally, he obtained further material on his travels (primarily in south-west Germany, Switzerland, and Alsace). Cosmographia not only contained the latest maps and views of many well-known cities, but also included an encyclopaedic amount of detail about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time. Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors.

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. Altogether, about 40 editions of the Cosmographia appeared between 1544 and 1628; Münster was a major influence on his subject for over 200 years. Münster acquired the material for his book in three ways. He used all available literary sources. He tried to obtain original manuscript material for description of the countryside and of villages and towns. Finally, he obtained further material on his travels (primarily in south-west Germany, Switzerland, and Alsace). Cosmographia not only contained the latest maps and views of many well-known cities, but also included an encyclopaedic amount of detail about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time. Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors.

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. Altogether, about 40 editions of the Cosmographia appeared between 1544 and 1628; Münster was a major influence on his subject for over 200 years. Münster acquired the material for his book in three ways. He used all available literary sources. He tried to obtain original manuscript material for description of the countryside and of villages and towns. Finally, he obtained further material on his travels (primarily in south-west Germany, Switzerland, and Alsace). Cosmographia not only contained the latest maps and views of many well-known cities, but also included an encyclopaedic amount of detail about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time. Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors.

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. Altogether, about 40 editions of the Cosmographia appeared between 1544 and 1628; Münster was a major influence on his subject for over 200 years. Münster acquired the material for his book in three ways. He used all available literary sources. He tried to obtain original manuscript material for description of the countryside and of villages and towns. Finally, he obtained further material on his travels (primarily in south-west Germany, Switzerland, and Alsace). Cosmographia not only contained the latest maps and views of many well-known cities, but also included an encyclopaedic amount of detail about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time. Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors.

Statua equestre ad Emanuele Filiberto di Savoia - Piazza san Carlo - Torino - Italy